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PUFF presents: An evening with Reiko Kondo 近藤麗子電影放映及酒會

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Japanese filmmaker Reiko Kondo, who is residing in France will be in Hong Kong to showcase her 3 previous short films and share her filmmaking experience over drinks. Local filmmakers Nicola Fan (The Eve) and Gina Wong (Road to Day Dream Mine) will also be present to show their works.

Date: 28 July 2016 (Thursday)

Time: 6:00 – 9:00pm

Place: The Ladies’ Recreation Club, 10 Old Peak Road

旅法日藉導演近藤麗子將會分享她的3部短片,在巴黎十年供讀電影的經歷及她的第一部故事長片的編制過程。當晚還有另外兩位香港女導 Nicola Fan ( The Eve ) 及 黃思源 ( Road to Day Dream Mine) 分享她們拍電影的經歷。

日期:7月28日星期四

時間:下午6時 - 晚上9點

地點:婦女會,舊山頂道10號

Reiko Kondo:

” MÄCHEN II  is m385902_10150665747484202_868697340_ny second experimental short. It was a kind of challenge for what I wanted to do, its a mix of silent film and animation.

I am always looking for the fusion between Asia and Europe.

With this film, the crew was French-Japanese and I used Origami and Chiyogami on the boards. ”

 

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LeEco and PUFF announce collaboration 樂視與菠蘿電影節合作推出獨立電影專題

Prickly and juicy indie films bring you a refreshing viewing experience

(Hong Kong, Jun 1, 2016) – LeEco and The Pineapple Underground Film Festival (PUFF) are excited to announce Hong Kong’s first art house and experimental film festival VOD feature page: PUFF. The page will be launched on June 2nd, 2016 and it will feature its first batch of 12 films from Spain, South Africa, France, Australia, Japan, Argentina, USA and Hong Kong. Le VIP members could enjoy the movies via Le SuperTV, Le Superphone and Le TV Box without additional charge.

LeEco is proud to launch the feature page with PUFF, not only because all the films are Hong Kong premieres, but the programs are curated by an independent film festival that had its beginnings here in Hong Kong”, says Tin Mok, CEO for APAC at LeEco,” We believe that every movie are precious and unique for filmmakers. This is so honor to be a platform which allow more indie and niche movies to be shown to the audience.”

PUFF’s founder Gina See-Yuen Wong says “We are so proud to collaborate with LeEco. LeEco’s ecosystem and online platform is a major force and it started a revolution in how indie films are shown and presented to the audience. The network transformed and changed who and how creative works are now being made and viewed. “

The concept of PUFF started when their founders were eating at a “dai pai dong “( a type of local fast food in Hong Kong) and realized that there are no bold and independently funded festivals in Hong Kong at that time. The founders, themselves also indie filmmakers, thought that many young brilliant filmmakers wants to show their films in a new format too. PUFF started with 21 films in 2011, and had since grown to feature more than 86 films for their PUFF 2015 editions. The direction of PUFF”s program is edgy and avant-garde ; with a special taste for those who like weird ways of storytelling. PUFF founders also personally travelled the world to meet these filmmakers in person and to take their films to Hong Kong for our audience.

 

清爽多汁另類電影 為你帶來破格視覺體驗

(香港,201661) LeEco樂視菠蘿電影節(The Pineapple Underground Film Festival, PUFF) 攜手宣布將設立香港第一個以藝術和實驗電影為主題的專題頁PUFF。專題頁將於明天(62)正式登陸樂視香港版UI,第一批來自西班牙、南非、法國、澳大利亞、日本、阿根廷、美國和香港的12部另類電影將率先上線,例如以西班牙「廢青」為主題的登山者故事「神奇登山者 El Alpinista」、以狗隻角度講述被主人拋棄的兩分鐘短片「48K」等。樂視的超級影視會員屆時可透過樂視超級電視、超級手機及樂視盒子隨時點播,絕不錯失任何精彩一幕!

樂視控股(北京)有限公司副總裁及亞太區執行總裁莫翠天表示:「樂視很榮幸與菠蘿電影節合辦此專題,不僅因為所有被選中的電影均是在香港首次播放,而且這是由一個地道香港電影節策劃。樂視相信,每一道電影作品都是製作人的心血結晶,小眾、另類電影亦有其意義。我們很高興樂視作為一個OTT平台,能夠容納不同類別的電影,讓更多電影人的作品被看見。」

菠蘿地下電影節的創辦人Gina 黃思源說:「我們很榮幸能與樂視合作,推出 PUFF 專題。樂視生態及其網上平台,是一股很重要力量它開展了一場電影放送的革命。網絡世界的變革,改變了原有電影及藝術錄的創作模式也給予觀眾更多自主空間,去自定欣賞評審作品的方式。」

菠蘿電影節的概念始於他們創人在大排檔吃飯時討論到香港沒有大膽與自家經營的電影節。因創人本身也是獨立製片人,所以意識到許多出色的年輕電影工作者及錄藝術家,均想以新形式展示自己的作品。2011年,菠蘿電影節21部影片開始每年都得到各國電影朋友支持,至2015年,五年內影展一共播放超過200部影片PUFF的創在過去五年走遍世界各地,親自與不同的電影製作人會面,把他們的電影帶給香港觀眾。

菠蘿電影節的節目方向,是如菠蘿外皮一樣的鋒利與前衛喜愛用另類的說故事形式拍攝手法,就希望觀眾看電影時感覺吃著新鮮菠蘿一樣清爽多汁

Announcing our PUFF award judging panel

We are kicking off the PUFF 2015 season with some important unfinished business from last year. Announcing the distinguished members of our judging panel for the PUFF award 2014!

Judge 1: Ethan Minsker, NY director of Art Antagonist Movement

Ethan is an American writer and filmmaker. He was diagnosed at an early age as being both highly dyslexic and highly intelligent. He is the co-founder of the Antagonist Movement, Inc., a consortium of artists, writers and musicians based in New York’s East Village. Mr. Minsker is also the creator and editor-in- chief of Psycho Moto Zine, which has been in publication since 1988. He lives in New York City.

Judge 2: Will Schmeckpeper, independent filmmaker

Will is a film director, writer and producer whose films focus on life in the State of Idaho in the Western USA. His most recent works are queries into the state of human nature: IN COMMON HOURS is an existential narrative, while his series of ambient films BIKINI HOT TUB GIRLS and KITTAH AT REST comprise his social experiment to see if people really will download and watch just about anything. Recently, Schmeckpeper has begun hosting BIG CHUNKS OF PLASTIC as “The Earthpig” on KRBX Radio Boise, a show dedicated to film and video soundtracks and scores.

Judge 3: Faiyaz Jafri, multidisciplinary artist

Faiyaz is an award winning filmmaker and artist, born and raised in rural Holland of Dutch and Pakistani decent. Jafri’s art explores Jungian archetypes in the modern world. In addition he searches for neo- archetypes in mass media and global popular culture.

His work has an almost clinically engineered feel to it without becoming cold or soulless. It is this contrast between unnatural perfection and the fact that his work conveys a strong emotion that makes his work at times haunting but always strangely human.

Jafri’s work has been exhibited in the form of print, pantings, video installations, animations and life size sculptures, in galeries, museums and film festivals around the world.

Judge 4: Chung Pei Chi, professor in Religious and cultural studies at CUHK

Dr. Peichi Chung currently teaches at the Department of Cultural and Religious Studies in The Chinese University of Hong Kong. Previously Peichi taught as an assistant professor in the Department of Communications and New Media, National University of Singapore. Her research interests include new media studies and digital culture. Her dissertation focuses on the study of three online communities and their participation in the nation-building process in Taiwanese nationalist movement. Currently she studies the formation of popular culture in the online digital game game space of Asia. Her present research compares cultural regionalisation and industry dynamics in three online gaming sub-regions of Korea, China and Southeast Asia.

Judge 5: Reiko Kondo, independent filmmaker

Reiko graduated from EICAR (L’École internationale de création audiovisuelle et de réalisation) in Paris, her film Une fuite de lumière d’été has won multiple awards and she has screened her new film Marchen I & II in Hong Kong. Reiko’s way of life is an inspiration to many women, as she lives and works on her own in Paris for the past 10 years. A break away from the Japanese women traditions !

A big thank you to all our judges who spent long hours watching the nominated films and writing notes and comments to us. Results will be announced very soon.

Submission to 2015 Festival is now on!

Spread the word, we want to see your work in this year’s festival! Submission is now open through to September with the dates of the festival set on November 2015.

This year, all submissions are made through Withoutabox, please use the following link to proceed:

https://www.withoutabox.com/03film/03t_fin/03t_fin_fest_01over.php?festival_id=10040

All enquiry please send to submission@puff-festival.org

Interview with Byron Q, writer/director of Las Vegas Story

by Shen Xingzhou

Recently I had the opportunity to chat with Byron Q, an up-and-coming Chinese American filmmaker, because his film Las Vegas Story will have its Asia premiere in this year’s PUFF.

Initially from LA, he moved to San Diego and then San Francisco. Among these three cities, San Diego remains his favourite because of its beach, sunshine, beautiful scenery and relaxing mood.

“LA is just a big culturally mixed city, San Francisco is too “techie”, everyone there wanna create an app! ”

So why did he choose Las Vegas to be the background of the film?

“I used to go vocations in Las Vegas when I was still living in LA. I found this place very interesting, quite like Picasso’s paintings: real and surreal goes hand in hand. The real part is the gap between the rich and the poor. People live outside, far away from the casinos, lead sort of normal lives. But most people there, they do effect by gambling and try to survive.”

Like a quote from the film: “this place (Las Vegas) eats you up. ”

“The surreal part includes the neon light and the stripper clubs, but also, the people. When people came to Las Vegas, they act differently. Remember there’s a black guy in Las Vegas Story? When you first saw him on the screen, the way he walked, talked, dressed, which make you think: What? Is he Snoop Dogg (a famous American rapper)? But no! Ha-ha! He is a normal guy. That’s the funny and weird part, because everyone in Las Vegas, they want to imitate others.”

Real and surreal, is not only a term which Byron used to portray Las Vegas, the city, but also a way to represent the film.

“The stories of the film, they are all real stories based on real people. I did a lot of research before shooting, nearly two years, asking local people, listening to their stories, writing them down then put them together. I had some professional actors and actresses in the film, which for sure can’t avoid certain acting, but for the rest: the family in the film is the real family. The leading actress, she is a real prostitute. The locations: casinos, motels, etc.…they’re all real, which really bring the story alive.”

Mixing real people with actors and actresses has always been Byron’s style. Las Vegas Story, the film title, will bring to the audiences’ minds strippers, money, drugs, gangsters, but in fact, it’s a story about a single mother.

“I have always wanted to make a film about a female character. I know Christina (the leading actress) as a friend for years. After hearing some of her stories, I made up my mind to do a film about her. Personally, I was also raised up by a single mother, that in a way, helps me to understand the character better.”

I asked Byron whether our heroine’s personality was made out to be too perfect to be real.

Byron emphasised: “It’s her! It’s just who she is. Maybe being perfect, becomes her only flaw.”

During filming, Byron rented a house for the whole crew to do shooting. Basically they lived there for one month. “It’s a unique experience.” said he.

They did several scenes inside the biggest casino of Las Vegas, secretly, without people’s knowing. “It’s unbelievable! We accomplished it! ” said he proudly.

Byron studied visual arts film under the renowned French New Wave Director Jean-Pierre Gorin. As a result, some people considered his style a mix of urban themes with French New Wave style.

About Las Vegas Story, the third feature of Byron, what he has to say is: “this film itself is not so much French New Wave, but it conveys somehow the spirit of it. For example, I didn’t focus too much on the plot. With Las Vegas Story, I was trying to build up my own style. Right now I am on my way to evolve, to make something different.”

Yes, at such young age, 29 as we spoke, Byron is now preparing his fourth feature, a sci-fi. “I am open to anything, and I will try different genres.” We, the audience, do have every reason to look forward to his future works.

 

專訪”Bike與舊電鋼”導演邵攀

文:沈行舟

在結束這次采訪之前,邵攀導演親自彈著鋼琴獻唱。一首約翰列儂的《Real Love》之後,帶著一種自謙,緊接著,跟上了一首自己的原創歌曲《每一種愛情都是一樣的悲傷》,帶著一些所觸,他開始講述這首歌背後的故事,故事裏的環境,環境下的人,人和人的事。

Continue reading “專訪”Bike與舊電鋼”導演邵攀”

PUFF 2014 will open with a local filmmaker night

Opening night of PUFF 2014

4th December 7:00pm at XXX Gallery

The EVE

The Eve is a really cool music video of local independent electronic funk duo Sonic MSG and is directed by videographer Nicola Fan. This is a must see if you like us, are completely sick of watching those karaoke style Cantopop MV!

半張飛
FAST FORWARD

HK / 2013 / 92min / Color / 2.35:1 / Mono
In Cantonese with Chinese and English Subtitles

導演 Dir: 陳英麟 Stephen Chan
演員 Cast: 岑榮駿 Norris Shum, 林雪穎 Klarus Lam, 柴國燊 Samson Chai, 梁嘉進 Eric Leung, 顧嘉琪 Kaki Ku

Synopsis

Discovering a good movie and meeting the right person in your life are similar in many ways, as just one single look, is to change your life.

The story happens when Chan and Mok met in a cinema; one, wimpy and delicate, the other bold and straightforward. Yet, their madness love towards movies, tied them together, to endless conversations, like they have always been together.

The two worked hard to overcome their different personalities and obstacles in their relationship. Together, they held hands, shared laughter and wonderful, theatrical memories, marking the beginning of their absurd but romantic relationship.

As time goes by, Chan tried his best to provide Mok with everything he could in his own way, however things did not turn out the way they wished it would be. Slowly, the difference between them became more and more apparent and their relationship is hanging on a tenuous string.

This movie dedicated to them, is walking towards a finale or merely just a prelude, the reality is yet to be foreseen so easily by Chan…

Director’s statement

“Movies that spread love, faith and joy are all great movies.” – Derek Kwok Chi Kin, director from Hong Kong.

As one that directs a film, also directs the emotions felt by the audience. While some would have the theme of helplessness and darkness, but left a ray of light behind, captivates the audience. While some would have the theme of belief and declaring the power of love, but highlights how the couples’ indiscretion caused them to paint lies over lies.

I didn’t realize nor hope that the people nowadays would get used to such twisted, distorted way of love.

When we were filming this movie, most of us were merely students or fresh graduates. Despite of the tools, we had no more than 10 thousand to film this movie. We have heard many people talking, saying ‘ If you are so confident in the script, why don’t you work on selling it instead so that you could film it with less limitations and a bigger budget?’

Through this movie though, what we would like to accomplish, besides from completing a worth mentioning deed even after 10, 30, 50 years; more importantly is because in the recent years, a few romantic films spreading the message of such ‘Values of New generation’, created such depressing feeling that sends shiver down the spine.

What we wanted to do isn’t something epic or world-changing; on the contrary, we would like to use the romantic movies that grew up with us, in the most cliche way, to lit a tiny flame.

簡介

遇到Mr./Mrs. Right,就如看到一套好電影 – 瞥見一眼,足已改變一生。

陳家富(岑榮駿 飾)在電影院巧遇莫敏兒(林雪穎 飾),二人一個柔弱怕事,一個口直心快,卻湊巧地瘋狂迷戀電影,以使二人滔滔不絕,一見如故。

二人力排性格和生活上的障礙,牽手作伴聊天說笑,共同經歷荒誕如電影情節(?)般的生活逸事,為這段關係譜下了奇特而浪漫的印記。

時間流逝,陳家富一心以自己的方法,努力給予莫敏兒最好的一切,卻偏偏事與願違 – 二人的性格差異逐漸浮現,關係變得若即若離。

這套屬於他們倆的電影,看似是在謝幕或延續當中角力,惟事實卻非如陳家富一直所想般簡單…

導演的話

郭子健導演說過:「宣揚愛、希望、歡樂信念的電影,都是偉大的電影。」

一片之導,主宰觀眾看畢電影後的情緒。有人以世界的無奈、黑暗為名,卻在結局留下充滿希望的註腳,激動人心;也有人以信望愛情為名,宣揚愛情的偉大-但該些電影最終突出的,卻是男女雙方生活上的不檢點,為了留住對方,一個謊言蓋過一個謊言。

我不知道,也不希望現今世界,已習慣了如此扭曲的愛情觀。

我與本片絕大部分的工作人員,在拍攝這部電影之時仍在唸書,或是剛剛畢業;亦因為這個原因,除了攝影上的器材,我們只有不足一萬元去拍攝這部電影。

有很多人跟我們說,「若然對劇本真的有信心,為何不努力將之推銷,以一個較體面的預算和條件拍攝?」

我們藉著電影想達成的,除了是想在各自完全投身社會前,留下一些過了十年、三十年或五十年,仍然值得⼀提的「壯舉」;更重要的是,這數年來部分愛情電影,實在令人為當中編導設立的「新生代價值觀」而看得不快和心寒。

我們想做的,並不是甚麼石破天驚、改變世界的東西;反而,我們只希望藉著曾陪伴我們成長的愛情電影,用最陳腔的濫調,重新為影迷們灌注⼀點點希望。

Screening of the Bridge with director Alia Diab

PUFF presents as a prelude to this year’s main festival, a screening of the short documentary “The Bridge” with the director in attendance to discuss her project.

The Bridge (23 min, USA, 2013) is a documentary about the cross culture conflicts between Arabs and American and the role of media in creating this image and stereotypes.

The Bridge Talk

It’s about what inspired the documentary and incidents that created the need for it. Also about the process of making it and the challenges of being an independent filmmaker.

Location: The Hive Wanchai, 21st Floor, The Phoenix Building, No.23 Luard Road, Wan Chai, Hong Kong

Time: 7:00 – 8:30pm

Free Entry

178

Director’s Bio (Alia Diab)

Born in Bahrain in 1982 and raised in the United Arab Emirates. She started her career in media as an assistant to the Executive Producer for a Reality television show in MBC, one of the largest media channels in the Middle East. Upon project completion Alia moved to the United States to pursue her Masters in Film and Digital Media in the University of Central Florida, Orlando Florida. During her stay she directed short films mostly about the Middle East in order to inform people in the United States about the reality in that part of the world. “The Bridge” is her first documentary, which was inspired by her own life in the United States as an Arab, and by the issues she faced.

PUFF 2014 program for Hong Kong

It’s here finally! Program for PUFF 2014 Hong Kong:

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